Billen
cites "the nation's No. 1 introvert and national treasure,
[comedian] Alan
Bennett as he explains how today's role models are different.
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ALAN BENNETT
THE UK'S NATIONAL TREASURE, AN INTROVERT
KIDS
MUST STAR IN THEIR OWN SITCOMS
"As our role models perform, so must we, even down to
the youngest. In the American classroom, shyness, once seen
as a synonym for good behaviour and an indicator of intelligence,
has been pathologised into social anxiety disorder, an affliction
to be treated pharmaceutically. In Britain a schoolscape in
which talent competitions modelled on Pop
Idol have replaced sports days, each must not only
have prizes but emerge, in their heads at least, the stars
of their own sitcoms."
He
continues, "Introversion, the tendency to direct onr's
attention and effort inwards, and extoversion, the reverse,
were first defined by Carl Jung, who as an introvert himself
tended to favour the former as the more mature of the two
personality types. Reliable polling in both the US and UK
suggests that the population breaks down roughly 50/50 between
the two: extroverts, by the more noise they make, simply seem
more populous.
"INTROVERSION
IS NOT A CHOICE. IT IS HOW YOU ARE."
"In fact it is probably even harder for the American
introvert," Billen explains. He cites an article by Jonathan
Rauch that appeared in the Atlantic
Monthly last year called Caring for Your Introvert.
"Introverts have an active cerebral cortex that cannot
cope with overload." he explains. "Going into a
noisy pub can be physically painful. Extroverts, on the other
hand, have a sluggish cortex and need external stimulation
to ratchet it up to an optimum level. It may all come down
to how your individual dopamine receptors work. Introversion
is not a choice; it is how you are."
DOROTHY
ROWE, AUTHOR OF The Successful Self
"... there may be ways for introverts to cope in an increasingly
extrovert world," explains Billen. "Dorothy Rowe,
the psychologist who for her book The Successful Self
spoke to successful representatives of both personality types
speaks on the matter with some authority, for she is an introvert
who in her twenties learned extrovert conversational tactics
from a friend."
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BECOMING
WISE
Dillen quotes Rowe as saying, 'What I always advocate is that
you can become a wise introvert or a wise extrovert. A wise
extrovert comes to realize that they do not need to have absolutely
everybody in the world liking them, that they can manage as
long as the significant people in their world do. What we
introverts have to learn is that you cannot get the entire
universe under your control. You have to accept that life
is a matter of continuous change, go with the flow and make
do with the tiny bit of the universe you can organize. And
when people accept that wisdom, their behavior changes. Introverts
cease to be so obsessional, organizing and needing to achieve
something every minute, and extroverts find it easier to spend
time on their own."
Billen
continues, "And even in popularity contests, extroversion
may not be the only way to win. At the end of his National
Theatre adaptation of The Wind in the Willows Alan
Bennett has Toad admonish Rat for not explaining the benefits
of "not showing off, being humble and shy and nice."
Toad
says, '... what you didn't say was that this way I get more
attention than ever. Everybody loves me! It's wonderful!"
"As
the nation's No. 1 introvert and national treasure,"
concludes Billen, "Alan Bennett should know."
see
companion article by Jane Shilling - in the works