The Rose Elf
[read
the fairy tale here]

see paintings of Isabella and her Pot
painting by William Holman Hunt
painting by John White Alexander
Keat's poem
painting by Millais
close up of Isabella and her brother
I
was brought up in a rational family, where everything irrational
was regarded as fantasy, illusion, or at the best, innocent
game for children. I always loved books and my mother was buying
me them with special care, not to disturb my small world with
"adult problems" - evil, fear, death and pain. As
most of other parents, also mine thought that if they had pretended
in front of me that the evil does not exist, it disappeared
and I would not see it until I would reach certain age. They
still do not know how mistaken they were at that times. Since
my very early age, I was sensitive to my environment to such
an extent, that I quickly overlooked the protective atmosphere
my parents wanted to create for me.
My
first memory is when I was three years old, walking with my
mother from kindergarten. I was walking, holding her hand and
feeling sadness from her side and I felt it myself so intensively
as if I was her. I asked her openly why she was so sad and what
had happened. She looked at me, smiled and said that it was
not true, she was not sad and nothing had happened at all. In
her smile I could read, that she considered me too little to
understand her sadness.
It
was the first time when I discovered, that behind the words,
there's another world with its own, deeper truth. I experienced
this kind of discrepancy between external, polished reality
and the true reality hidden behind it many times after that
first experience. It seemed to me that all people around me
were doing it - feeling something and pretending something else:
My parents having problems in their relationship, neighbours
quarrelling behind their doors, kids torturing frogs and cats,
kindergarten teacher pretending she enjoyed playing with children
but did not, my grandmother telling me that the cat which died
in front of my eyes did not die, but was only sleeping.
I
was so confused from it all that I sank to my own secret world
and stopped asking adults my questions. I knew they would not
tell me the truth anyway. The books were my only oasis of clarity,
because they contained their own, definite worlds. Soon I started
to distinguish which books I liked and which ones I did not
like. To my parent's shock, I preferred books with old fairy
tales full of dark stories. Those were the old books from my
grandparents' house, published at the beginning of 20th century,
uncensored by modern psychologists and therefore full of blood,
suffering, some of them had even bad endings! My mother tried
to accept my preferences, but refused to read me some of the
stories, which seemed to her too cruel and unsuitable for such
a little girl.
One
of those forbidden stories was Hans Christian Andersen´s
The Elf of the Rose [read
the fairy tale here].
Since as a 5 years old girl I could not read yet, I was constantly
asking my older cousin to read it for me. I was listening to
it with pleasant feelings of something far away but well known
to me, as if I were coming home. This fairy tale seemed to me
real and I could easily identify with the princess in the story.
I was amazed that some other person - even only in a book -
can perceive the world similar way I did. Remembering dreams,
searching for visions and symbols and uncovering their meanings,
listening to silence in an empty house and deciphering what
the creak of the old wooden door means, what are the trees whispering
outside. Enjoying various scents of flowers and silently wondering
about their ability to be so solid and at the same time short
lived after they were brought from outside and put to the vase.
"Alas, how soon all that is good and beautiful passes away",
sighed the Elf. *
The
story describes deep love between young man and the lady. In
unreal, glossy world, all such stories must end with wedding
and then the pair is living happily ever after. Infps do know,
that it is not always true. They know that there is not white
without black, light without dark and that the evil is not only
an abstract term for crazy amateur philosophers. They see the
evil presents itself in very concrete form in everyday life
and is closely intertwined with suffering and pain. They refuse
not to see it; because they also feel its part deep inside and
they know that even when they close their eyes, ears and pretend
it does not exist, it will not disappear.
When
the princess found a withered leaf on her bed, she did not throw
it away as the "fantasy". She could not, because she
was in deep connection with her own truth and could see the
reality, secret connections behind the things. Her intuition
and instincts were telling her clearly, that the dream she had
had was true, however horrible it seemed. It would have been
much more comfortable for her to forget everything and force
herself to believe, that her lover is somewhere behind the hills,
thinking about her.
She
had the power to go to the woods at night and look at the worst
nightmare changing from suspicion to palpable reality, as she
was removing the old leaves, turning the earth up, finding that
her lover was there, dead.
However
unpleasant it looks, that she took his head home with her, this
weird action has its deep meaning.
The
love between the lady and young man was exceptional, pure and
deep. All what was most precious for her was connected with
his head when he was alive - his thoughts the quality of which
she was feeling intensely when they were together, his soul
that was looking at her through his dear eyes, words-Logos which
was emanating from his lips.
Infps
do not bond with others easily, most of the time they enjoy
their solitude, withdrawn from the outside world, but once they
find their kindred spirit, the bond is eternal and lasts forever.
The
lady could not just leave the body there, in the morning go
to the town and find another man. Infps, as she was, are different.
She still could feel the invisible traces of warmth of his beloved
on the cold skin, dirty hair, therefore she took the head home
and made secret grave for it in the pot.
Infps
are intuitive, empathic, sensitive and these gifts enable them
not to be naive. They do not share what they see with just anybody,
that's why the lady did not say a word to her brother about
what she's found in the wood. She had to feel the evil in her
brother long ago. After the murder she was only crying that
the evil has manifested itself in the most painful way for her.
She was not naive to believe, that her brother loved her dearly
and she did not wonder why he was scolding her for crying over
the pot. Infps have their own reasons why they are doing and
feeling certain things their own way, they got used to the fact
that they stand out from the crowd.
However,
I regard this fairy tale as a story with its own happy ending.
The lovers meet in heaven, in their real home, far away from
this world where the evil always lurks behind the corner. And
the murder was revenged, because "behind the smallest leaf
dwells the One, who can discover evil deeds, and punish them
also".*
Infps
do not want to take responsibility to their own hands and hurt
anybody in revenge. They instinctively, surely, know that there's
strict, just cosmic order, karma law that takes care of all
which goes astray.
Infps
only feel that it is their duty, mission in their life to help
to show others how beautiful this world could be, if people
have only found the courage to look the evil in the eyes and
win the battle with their own evil.
In
old times, children lived with their large families and from
their early age they were undergoing all variety of experiences:
mother's births, father's physical exhaustion from daily hard
work, death of a sibling, grandparents serious illnesses. Even
in aristocratic families, people were dying in their homes and
children, together with others, went to their beds and were
watching as a member of their family died.
At
present, all the suffering and dying is being moved to sterile
hospitals, depressed people are prescribed pills and are forbidden
to show their unhappiness openly, otherwise it is a faux pas.
There's a danger living like this: If we show our children only
sweet, censored Disney's world, they will not learn empathy,
understanding for other person's suffering, they will not experience
both sides of a coin, all variety of emotions which belong to
life.
Contemporary
fairy tales are often meaningless stories full of nice colours,
pretending that the life is always good, whatever happens, and
that nobody needs to take responsibility for his/her deeds.
They remind me of candy - packed in attractive wrapper, with
good taste, addictive, but with no real benefit for physical
body. Contemporary fairy tales have similar effect - they do
not feed and benefit the soul, they are offering only the illusion,
escape from reality.
If
my parents were not trying to hide dark side of the life from
me, perhaps I would not feel so isolated from them. It is useless
to try to create unreal "always good world", hide
books and true feelings. Infps know anyway, they learn to read,
find all hidden books and always feel what people are feeling,
who they really are.
*Quotation
is from the Andersen´s fairy tale The Elf and The Rose
Andrea
Jurik